Aside from PerfCal:
Attendance at Linux Audio Conference in Cologne, Germany for technical assistance and performance of Tutti-Frutti.04, with Andrée Préfontaine.
Implementation of new features and special requests for Liquidity sculpture.
On-site attendance at Eye Candy Central Bar, Mandalay Bay ressort, Las Vegas for interactive dancefloor software installation and support.
On-Site attendance at Liquidity Central Bar, Luxor ressort, Las Vegas, to supervise the installation of the hydrolic sculpture, installation and support for the software operating the sculpture.
Programming of interactive dance floor. MaxMSP/Jitter, Java
Interactive sound design, DSP programming and interaction design and implementation for a performance installation Tutti-Frutti.04 by Andrée Préfontaine. Pure Data environment in Linux OS.
Implementing video analysis, network communication, realtime lights control, audio analysis and general control system for an interactive hydrolic sculpture. MaxMSP/Jitter, Java.
Sound design, DSP programming and interactions design for Tutti-Frutti.03. An interactive installation with sound and video. Cello, guitar and computer performance at the vernissage. Pure Data in Linux OS.
DSP Programming and sound design for an interactive performance "Les Occupants" by Andrée Préfontaine with video projection and live sound manipulation. Pure Data environment in Linux OS.
Residence at Artengine, artist run center (Ottawa). Preparing of a Linux Digital Work Station for sound recording and performance (24 channel I/O) and work on software and concept for an original interactive improvised sound performance as part of the celebration of the opening of Artengine's new office space.
Solo and duo (with cellist, Andrée Préfontaine) performance at opening night.
DSP programming for an interactive performance, "Compostage" by Andrée Préfontaine with vidéo projections and live sound manipulation. Pure Data, Linux.
A performance night following a workshop on dataflow programming organized by Artengine in Ottawa
Spoken word/poetry and music followed by improvisation.
A performance with No One Receiving. (Recording available)
A performance with two Toronto improvisers: Mike Hansen and Tomasz Krakowiak. (Recording available)
A performance night at "rad'a Montreal", an art gallery/performance space, in the form of spoken word with music and free improvisation.
Two performance nights at Café-Galerie l'Embuscade featuring 19th century poetry and original music (both composed and improvised).
A concert of various music styles. Performed original music both popular and experimental.
Performance of a piece “Musica Baroacousmatica) by Hiroya Miura & Michal Seta (dsp processing via an interactive computer music system).
Numerous performances of original electronic (tape solo as well as instruments with live electronics) music for g.e.m.s. (group of the electronic music studio) and McGill Studio Exchange concerts.
Work in progress. A setting of various Canadian poems for spoken voices, guitar, viola da gamba and interactive computer music system.
A poem of the same title by Xavier Forneret (1809-1884) set to music for 2 spoken voices, guitar and computer.
A soundtrack for a poem “Le Vaisseau d'or” by Emile Nelligan.
A work composed for an experimental film “0+1” by Minh Sung Bae. The instrumentation is purely synthetic. All sonic textures are based on mathematical formulas representing various 3 dimentional surfaces.
Composed by Hiroya Miura. DSP and computer interaction by Michal Seta. A musical fusion of a “baroquesque” music (main theme based on one of Bach's fugues), experimental electronic music, ancient music instruments (harpsicord, viola da gamba, guitar) and modern technology (computer system used as a sound processor and a sampler).
A composition for solo classical guitar and computer in which the computer serves as an extension to the guitar and, at times, a “band member”. The guitar part is notated but includes several ad lib sections.
A composition for tape alone.